They say
that the eyes are the windows to the soul, in which case, given the way
in which it’s been my experience that windows usually function (this is in no
way to be taken as an admission of furtive nocturnal voyeurism on my part…..definitely
not an admission), it must surely
follow then that the soul must also be the window to the eyes.
(Tenuous I
know, but it’s with such fuzzy logic that I navigate life).
(Which, no
doubt, explains quite a lot).
But hold
your horses, I’m not done yet.
For what
then does that make the window? The window through which one may peer into the
dark recesses of a person’s soul? What of the window in this transaction, this
equation, this profoundly intimate conversation between eyes and soul?
What
properties must be invested upon the window when it is so used? So exposed to
the deepest secrets and the darkest truths.
What then
of the window? The window through which one may view a soul?
A person’s
soul – or indeed a pub’s soul.
(You knew
I’d get there in the end)
Windows
which lay bare all.
Windows
through which those of us who from time to time frequent the Perryman are gaped
and gawped out at, like unfortunately limbed circus freaks, by the bottom
feeding, morally bankrupt, intellectually stunted, pond scum who are to be found
smoking outside of Taps on a Saturday night.
Windows
through which the private becomes the public. The unknown known. The Perryman
revealed.
Unmasked.
Fallen.
Which is
all to say that I’m not really the world’s biggest fan of the new clear windows
in the Taps.
In case
you didn’t get that.
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